In "The Hill of Kronos", Peter Levi paints a radiant portrait of the Greece he came to know through a lifetime of exploration. As a young scholar he sought out its ancient spirit, the keys to its mythology and civilisation, in its ruined cities and majestic mountains. Later, as a priest working as a diplomat and a friend of the oppressed, he lived in Athens through the dark days of the dictatorship. Then the sinews of political life led back to secret alliances made during the civil war and the earlier occupation of Greece, back to murder, starvation and corpse-filled quarries. Lastly, it is seen through the mature eyes of a family man, with the ripened sensibility of an acclaimed poet. This is a precious fusion of experience, a gift of insight from one philhellene to all those who have come to love Greece.

From time immemorial Afghanistan has been both a fortress of faith and a mountainous crossroads. Through its high valleys merchants traded Chinese porcelains, bundles of indigo cloth, sacks of lapis lazuli, golden jewellery, emeralds and fine carvings from both east and west. Ancient scrolls and beliefs entered the land in the satchels of Buddhist pilgrims and in the baggage of military invaders - from Alexander the Great to Mughal, Persian and Arab conquerors and even the ill-fated armies of the British Raj. In this resonant account, Peter Levi seeks the clues which each migration left, in the company of the young Bruce Chatwin. Since his journey in the 1970s, Afghanistan has suffered forty years of invasion and civil war, making it all the more poignant to rediscover, with Levi, not a rocky wilderness guarded by fearsome tribes, but 'this highway of archangels/this theatre of heaven/the light garden of the God-forgiven angel King.'

'I mentioned our design to Voltaire,' wrote Boswell. 'He looked at me as if I had talked of going to the North Pole . . .' As it turned out, Johnson enjoyed their Scottish journey (although the land was not quite so wild and barbaric as perhaps he had hoped), and Boswell delighted in it. The year was 1773, they were sixty-three and thirty-two years old, and had been friends for ten years. Their journals, published together here, perfectly complement each other. Johnson's majestic prose and hawk eye for curious detail take in everything from the stone arrowheads found in the Hebrides, to the 'medicinal' waters of Loch Ness and 'the mischiefs of emigration'. Meanwhile, it is very lucky that as Johnson was observing Scotland, Boswell was observing Johnson. His record is perceptive, highly entertaining and full of sardonic wit; for him, as for us, it is an appetizer for The Life of Johnson.

Written by a Greek traveller in the second century ad for a principally Roman audience, Pausanias' Guide to Greece is a comprehensive, extraordinarily literate and well-informed guidebook for tourists of the age. Concentrating on buildings, tombs and statues, it also describes in detail the myths, religious beliefs and historical background behind the monuments considered. In doing so, it preserves Greek legends, quotes classical literature and poetry that would otherwise have been lost, and offers a fascinating depiction of the glory of classical Greece immediately before its third-century decline. This, the second of two volumes, explores Southern Greece including Sparta, Arkadia, Bassae and the games at Olympia. An inspiration to travellers and writers across the ages, including Byron and Shelley, it remains one of the most influential of all travel books.

Pausanias's classic account of every Greek city and sanctuary includes historical introductions and a record of local customs and beliefs. Volume 1 covers central Greece, the country around Athens, Delphi, and Mycenae; Volume 2 describes southern Greece, including Olympia, Sparta, Arcadia, and Bassae.

This volume contains a selection of early works by Yevgeny Alexandrovich Yevtushenko who blazed a trail for a generation of Soviet poets with a confident poetic voice that moves effortlessly between social and personal themes. 'Zima Junction' vividly describes his idyllic childhood in Siberia and his impressions of home after a long absence in Moscow. Private moments are captured in 'Waking', on the joys of discovering the unexpected in a lover, and 'Birthday', on a mother's concern for her son, while 'Encounter' depicts an unexpected meeting with Hemingway in Copenhagen. 'The Companion' and 'Party Card' show war from a child's eye, whether playing while oblivious to German bombs falling nearby or discovering a fatally wounded soldier in the forest, while Yevtushenko's famous poem, 'Babiy Yar', is an angry expose of the Nazi massacre of the Jews of Kiev.

"A Civil War" is a history of the wartime Italian Resistance, recounted by a historian who took part in the struggle against Mussolini's Fascist Republic. Since its publication in Italy, Claudio Pavone's masterwork has become indispensable to anyone seeking to understand this period and its continuing importance for the nation's identity.
Pavone casts a sober eye on his protagonists' ethical and ideological motivations. He uncovers a multilayered conflict, in which class antagonisms, patriotism and political ideals all played a part. A clear understanding of this complexity allows him to explain many details of the post-war transition, as well as the legacy of the Resistance for modern Italy. In addition to being a monumental work of scholarship, "A Civil War" is a folk history, capturing events, personalities
and attitudes that were on the verge of slipping entirely out of recollection to the detriment of Italy's understanding of itself and its past.

In this biography, the eminent classicist Peter Levi uses Virgil's poems, like the Eclogues, Georgics, his epic, The Aeneid, as well as historical and archeological evidence, to discard many of the myths surrounding Virgil's life. In doing so, he uncovers the life of a poet whose powerful imagination and ethereal ability helped shape the epic vision of modern man. Indeed, Virgil's densely written and beautifully complex verse dominated Augustan Rome, the period of unprecedented prosperity, peace, and expansion that inaugurated the Golden Age of Roman poetry. Virgil, in fact, was the one poet who most fully understood the Roman Empire's enduring legacy and through his poetry defined the idea of civilization for generations to come. Although contemporary critics and readers often overlook Virgil's genius, Levi demonstrates that to neglect Virgil is to truncate many of the literary foundations of our culture.